Shooting Advice: Slate Every Take Or Regret It Later

By: Andrew Seltz

HOLLYWOOD CLAPPER BOARD
Bad shooting habits are easy to start and hard to break. Slating your shots is a habit you need to make yourself learn to love.

Slating refers to the process of shooting a short segment at the beginning of a take where the camera is focussed on a board (the slate) that has information written on it that uniquely identifies the take.

Slates used to be small chalkboards, but can be plastic boards with washable markers or even a small whiteboard and marker purchased at the local office supply store. Any surface that allows you to write and erase will do.

A Typical Shooting Routine

Many indie filmmakers make their first films by grabbing the camera and shooting a few things. A short while later they sit down at the computer and digitize all those cool clips they just shot and edit away. They watch the results, get excited, and decide they can make a movie – no problem!

Using the same techniques, they shoot hours of footage over the course of days and months with little or no thought to how they will find the shots they need later in the editing room.

Later, when it comes time to edit, they spend countless hours hunting through this pile of footage trying to find a take they need to make a scene work. They can’t speed through the footage either. They must watch it in realtime to listen for the breaks between different takes and hoping to find what they were looking for.

A Better Way To Work

It is easy to avoid this scenario – slate every take. Make sure you have the scene number, shot number, and take number recorded for every one. It is also helpful to record the name of the production, the director’s name and the cinematographer’s name along with the date. You never know when you’ll be asking others to help you edit your masterpiece.

Create a shooting rythm that includes slating. Use it every time and it will become a habit.

Tips

Taking good notes during the shoot will also speed your editing work. When you have a good take (or a bad take with portions you think might be good) write down the information from the slate and include notes to help you remember why you liked the shot. This will help you identify the shots to look for later and save you lots of time.

Sometimes you will need to roll quickly to catch a shot that is happening now. Working with animals and kids is often like this. If you don’t have a chance to slate the beginning of the shot, slate the end and hold the slate upside down to indicate that the take is ‘tail slated.’

If you are recording audio, be sure to speak the scene, shot, and take number into the microphone as well. This will create an ‘audio slate’ that can be used to identify your audio should it get seperated from the video during post production.

Andrew Seltz

Andrew Seltz

Andrew was born in Michigan, raised there and in Tennessee, and has since lived outside Orlando, in Chicago, New York City, and now Birmingham, Alabama. He produces videos and websites for a living and is married to a beautiful, generous, loving woman who also happens to be a talented actress and writer - www.ellenseltz.com. They have two daughters.

One thought on “Shooting Advice: Slate Every Take Or Regret It Later

  • December 16, 2009 at 6:14 pm
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    I agree and disagree; with the advent of software like Pluraleyes, using a clapboard is sometimes not necessary depending on the length of the production. Sometimes it can even be a hindrance to what you are tying to do. I do agree that slating can be very helpful, but what I’ve started to do, since everything is stored on SD card now, is that I rename my files as I go. Or I just delete them if I know they will be of no use. This is something that you really couldn’t do with MiniDV, (at least didn’t want to take the time to do).

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